YUANYE FANG
Currently a Masters in Filmmaking Student at the London Film School
Specialization in Cinematography
Hello, and welcome to my Film Portfolio. As a passionate filmmaker with a great work ethic, I always try to push my personal and creative boundaries with each new project. Continue browsing my site to explore my showreel and watch some of the latest film projects I’ve been working on, and get in touch with any questions.
BIO
Yuanye Fang (Frank)
Born and raised in Beijing, Yuanye Fang has continued his career and craft in London, United Kingdom. His goal is to tell universal stories by making full use of his inspiration and knowledge in cinematography.
In 2016, at the University of Macau, Yuanye, as a Director of Photography, created, ‘Reach its Zenith’, a documentary-like short film reveals the status quo of the underground bands in Macao, and the 1st International Film Festival & Award Macao recognized as ‘Online Most Popular Award’ in its Short Film Competition.
In 2017, in Taipei, Taiwan, as an exchange student, Yuanye wrote, directed, and edited his first short film, "Leave Me Alone", which ignited his passion for film and planted a filmmaker dream.
After returning to Macau, Yuanye, continued pursuing his filmmaker dream, wrote and directed, ‘The Net’, and worked as cinematographer and screenwriter for ‘Redline’. Both of the films earned some high reputations in Macau.
Currently, he is studying to receive his MA in Filmmaking at the London Film School, where he has directed two different shorts, filmed three other projects as DoP or Camera Op, and two different shorts as a gaffer.
FILMOGRAPHY
GIRLS, 2021, Digital, Color, 22:10 (Cinematographer)
Watermelon & Mint, 2021, Digital, Color, 22:51 (Cinematographer)
Lucid Dreaming, 2020, Digital, Color, 14:34 (Cinematographer)
The Setting Sun, 2020, Digital, Black & White, 11:00 (Gaffer)
Terry, 2020, Digital, Black & White, 11:05 (Camera Operator)
Revolutionary Baby, 2019, Digital, Black & White, 11:00 (Gaffer)
Mummy Blue, 2019, 35mm, Black & White, 11:12 (First AC)
Liz and Finn Buy A Wig, 2019, Digital, Black & White, 10:19 (Second AC)
Dear Death, 2019, Digital, Color, 6:20 (Camera Operator)
Edifier, 2019, Commercial, Digital, Color, 0:31 (Cinematographer)
Generation Z, 2019, Documentary, Digital, Color, 11:00 (Cinematographer)
The End, 2019, 16mm, Color, 02:55 (Writer, Director & Editor)
Halal Baby, 2018, Digital, Color, 3:00 (Cinematographer & Editor)
Mary, 2018, Digital, Color, 3:00 (Cinematographer & Editor)
Hotline, 2018 Digital Color, 3:00 (Writer, Director & Editor)
Redline, 2018, Digital, Color, 12:47 (Writer & Cinematographer)
The Net, 2017, Digital, Color, 11:00 (Writer, Director, Cinematographer & Editor)
Leave Me Alone, 2017, Digital, Color, 17:32 (Writer, Director & Editor)
Reach its Zenith, 2016, Documentary, Digital, Color, 10:00 (Cinematographer & Editor)
FESTIVALS & AWARDS
Best Cinematographer, London Indie Film Festival, UK (Watermelon&Mint, 2021)
Award Winner, New York Cinematography Awards, USA (Lucid Dreaming, 2022)
Award Winner, European Cinematography Awards, EU (Lucid Dreaming, 2022)
Finalist, Los Angeles Cinematography Award, USA (Lucid Dreaming, 2022)
Best Women Film, Cannes Word Film Festival, France (Lucid Dreaming, 2021)
Toronto International Women Film Festival, Canada (Lucid Dreaming, August 2021)
Amman International Film Festival, Jordan (Revolutionary Baby, August 2021)
68th Columbus International Film & Animation Festival, Columbus, OH, USA (Terry, April 2020)
Future Roads — Cross-Strait cum Hong Kong and Macao College Student Film Festival 2018, Macao, China (Redline, November 2018)
First Prize, European Union Short Film Challenge, European Union Academic Programme in Macao, Macao, China (The Net, November 2017)
Online Most Popular Award, 1st International Film Festival & Award Macao, Macao Short Film Competition, Macao, China (Reach its Zenith, December 2016)
"Curiosity is a sort of gluttony. To see is to devour."